Текст песни Андрей Кулигин - Пре-вращения

"Pre-rotation" for flute, pipes, marimbs and cello (2004)

(Bit-Rate Normal, 20 minutes fit into one file due to pauses)

The essay is written in the instrumental theater genre. The word "-demand" from the name is equally related to theatrical, and to the actual musical "layers" of the composition. These layers can be completely considered separately, since each of them has its own dramaturgy.

The alternation of 2 types of materials is used ("A" and "B"), which are separated by "pauses", during which the musicians turn or change in places. Meperiality of each type has each of its end-to-end dramaturia. The alternation of sections is subject to the principle that requires a listener / viewer of a special kind of material perception. Such a process of perception is appropriate to compare with the perception of the content of 2 different books (let's call them for simplicity "A" and "B", respectively), in parallel. After reading several lines of the book "A", we put a bookmark in the right place and remember "what was" and "how it ended." It does not prevent us from completely "disconnecting" from just (or recently) read when reading the book "B", because It is necessary to focus now on the new material. Otherwise we will not understand anything.

However, postponing the book "B" after some time (again with a bookmark in the appropriate place), we open the book "A" and without much difficulty I remember everything, after which the reading continues not from the beginning, but from the bookmark. Etc. Such a simple comparison is absolutely complied with the principle of building a form in this composition and adjusts to a certain way of perception, which requires peculiar "bookmarks" of a psychological nature.